Bibliography Relationships of Speech tone and music

Since Murray Schellenberg's “Bibliography singing in a tone language”, to which I had contributed in the past, went off line almost a year ago I felt a need to fill this gap. Moreover, during my seminar at the University of Vienna “Music and Speech – current methods and results in the light of modern phonetics and phonology” (winter term 2014/2015) quite some more publications could be found on this topic. I have separated musicological publications from a number of introductory linguistic introductions I found helpful learning about tone in language.

Thanks to my students who have assisted bringing together this list: Philipp Höllebauer, Philip Röggla, Fabian Strallhofer.

Musicology

• Baart, Joan L. G. (2004): “Tone and Song in Kalam Kohistani (Pakistan)” in: Hugo Quené, Vincent van Heuven (eds.): On Language and Speech: Studies for Sieb G. Nooteboom, Utrecht: Netherlands Graduate Institute of Linguistics.

• Bidelman, Gavin M.; Jackson T. Gandour, Ananthanarayan Krishnan (2011): “Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch” in: Brain and Cognition, vol. 77 no. 1, pp. 1-10.

• Blacking, John (1967): “Venda children's songs. A study in ethnomusicological analysis”, Johannesburg: Witwatersrand Univ. Press.

• Carrington, John F. (1949): “A comparative study of some Central African Gong-languages” in: Memoires de l'Institut Royal Colonial Belge, Section des Sciences Morales et Politiques: Collection in-8°, tome XVIII, fasc. 3, pp. 3-119.

• Chan, Marjorie K. M. (1987): “Tone and Melody in Cantonese” in: Proceedings of the thirteenth annual meeting of the Berkeley Linguistics Society, pp. 26-37.

• Chernoff, John Miller (1979): “African Rhythm and African Sensibility. Aesthetics and Social Action in African Idioms”, Chicago: Univ. of Chicago Press.

• Delogu, Franco; Giulia Lampis, Marta Olivetti Belardinelli (2006): “Music-to-language transfer effect: may melodic ability improve learning of tonal languages by native nontonal speakers?” in: Cognitive Processing, vol. 7 no. 3, pp. 203-207

• Euba, Akin (2011): Review: “Ancient Text Messages of the Yorùbá Bàtá Drum. Cracking the Code” by Amanda Villepastour, in: Ethnomusicology vol. 55 no. 3, pp. 516-520.

• Gibbon, Dafydd; Firmin Ahoua, Blé François Kipré, Sascha Griffiths (2009): “Discrete level narrative, terraced music. Insights from underdocumented Ivorian languages” in: Austin, Peter, O. Bond, M. Charette, D. Nathan, P. Sells (eds.): Proceedings of Conference on Language Documentation and Linguistic Theory 2, London: SOAS, pp. 107-115.

• Hải, Trần Quang (2008): “Acerca da noção de palavra falada e cantada no Vietnã” in: Cláudia Neiva de Matos, Elizabeth Travassos, Fernanda Teixeira de Medeiros (eds.): Palavra cantada. ensaios sobre poesia, música e voz, Viveiros de Castro Editora Ltda., pp. 325-332.

• Ho, Wing See Vincie (2006): “The tone-melody interface of popular songs written in tone languages” in: 9^th International Conference on Music Perception and Cognition. Bologna, pp. 1414-1422.

• Iversen, John R.; Aniruddh D. Patel, Kengo Ohgushi (2008): “Perception of rhythmic grouping depends on auditory experience”. in: Journal of the Acoustical Society of America, vol. 124 no 4, pp. 2263-2271.

• Jähnichen, Gisa: “Melodic Relativisation of Speech Tones in Classical Vietnamese Singing. The Case of Many Voices” in: Gerda Lechleitner, Christian Liebl, Jürgen Schöpf (eds): Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften. Vol. 4, pp. 180-194.

• Jungraithmayr, Herrmann (2008): “Der perfekte Ton. Zur Dreidimensionalität Afrikanischer Sprachen” in: Sitzungsberichte der Wissenschaftlichen Gesellschaft an der Johann Wolfgang Goethe-Universität Frankfurt am Main, 46, 2. Stuttgart: Steiner.

• Karlsson, Anastasia; Jan-Olof Svantesson, David House, Damrong Tayanin (2007): “Prosodic Phrasing in Tonal and Non-Tonal Dialects of Kammu”. 16^Th International Congress of Phonetic Sciences (ICPhS), Saarbrücken, http://www.speech.kth.se/prod/publications/files/3031.pdf

• Karlsson, Anastasia; Jan-Olof Svantesson, David House, Damrong Tayanin (2007): “Boundary signaling in tonal and non-tonal dialects of Kammu”, KTH Stockholm, vol. 50 no. 1, pp. 117-120.

  http://www.speech.kth.se/prod/publications/files/qpsr/2007/2007_50_1_117-120.pdf

• Karlsson, Anastasia; Jan-Olof Svantesson, David House, Damrong Tayanin (2011): “Tone restricts F0 range and variation in Kammu”, Fonetik 2011 in: TMH - QPSR vol. 51, pp. 53-55 http://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=2116891&fileOId=2116904

• Karlsson, Anastasia; Hakån Lundström (2014): “Preservation of lexical tones in singing in a tone language” in: Annual Conference of International Speech Communication Association (INTERSPEECH), pp. 1357-1360.

• Koelsch, Stefan; Siebel, W. A. (2005): “Towards a Neural Basis of Music Perception” in: Trends in Cognitive Sciences vol. 9 no. 12, pp. 578-584.

• Koelsch, Stefan; Erich Schröger (2007): “Neurowissenschaftliche Grundlagen der Musikverarbeitung”, pp. 1-23, http://www.stefan-koelsch.de/papers/Koelsch-Schroeger-Musikpsychologie_20070221.pdf

• Kubik, Gerhard (1983): “Die Amadinda-Musik von Buganda” in: Artur Simon (ed.): Musik in Afrika. Berlin: Staatliche Museen Preußischer Kulturbesitz (Veröffentlichungen des Museums für Völkerkunde Berlin, Neue Folge; 40), pp. 139- 165.

• Kubik, Gerhard (1988): “Kognitive Grundlagen afrikanischer Musik” in: Gerhard Kubik: Zum Verstehen Afrikanischer Musik, Leipzig: Reclam, pp. 327-400.

• Kubik, Gerhard (2004): “Xylophonspiel im Süden von Uganda” in: Gerhard Kubik (ed.): Zum Verstehen afrikanischer Musik. Aufsätze. 2^Nd ed., Wien: Lit, pp. 141-179.

• List, George (1961): “Speech, Melody and Song Melody in Central Thailand” in: Ethnomusicology vol. 5 no. 1, pp. 16-32.

• Locke, David; Godwin Kwasi Agbeli,(1980): “A Study of the Drum Language in Adzogbo” in: African Music vol. 6, pp. 32-51.

• Locke, David (2014): “How language makes the drumming beautiful. The case of the Dagomba Lunga” in: Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften vol. 4, pp. 47-62.

• Lu, Shu-Jiuan (2008): “Vergleich von Sprachduktus und Melodik historischer Aufnahmen der Peking-Oper” Dissertation. Göttingen: Cuvillier.

• Lundström, Håkan (2010): “I Will Send My Song: Kammu Vocal Genres in the Singing of Kam Raw” Copenhagen: Nordic Institute of Asian Studies.

• Lundström, Håkan; Jan-Olof Svantesson (2008): “Hrlìi singing and word‐tones in Kammu” in: Working Papers no. 53, Lund University, Department of Linguistics and Phonetics, pp.117-131.

• Mendenhall, Stanley (1975): “Interaction of Linguistic and Musical Tone in Thai Song” in: Selected Reports in Ethnomusicology vol. 2 no. 2, pp. 17-24.

• Meyer, Julien (2007): “Acoustic Features and Perceptive Cues of Songs and Dialogues in Whistled Speech: Convergences With Sung Speech” in: Proceedings of the International Symposium on Musical Acoustics (ISMA) http://arxiv.org/ftp/arxiv/papers/0711/0711.3704.pdf

• Morey, Stephen (2010): “Syntactic Variation in Different Styles of Tai Phake Songs” in: Australian Journal of Linguistics, vol. 30 no. 1, pp. 53-65.

• Morey, Stephen; Jürgen Schöpf (2011): “Tone in speech and singing: a field experiment to research their relation in endangered languages of North East India” in: Language Documentation and Description vol. 10, pp. 37-60.

• Morey, Stephen (2010): “The realisation of tones in traditional Tai Phake songs” in: Stephen Morey, Mark Post (eds.): North East Indian Linguistics, vol. 2, pp. 59-74.

• Patel, Aniruddh D. (2006): “An Empirical Method for Comparing Pitch Patterns in Spoken and Musical Melodies. A Comment on J.G.S. Pearl's 'Eavesdropping with a Master. Leo Janácek and the Music of Speech' “ in: Empirical Musicology Review vol. 1 no. 3, pp. 166-169.

• Patel, Aniruddh (2008): “Music, language, and the Brain” Oxford: University Press.

• Pian, Rulan Chao (1993): “Text Setting and the Use of Tune Types in Chinese Dramatic and Narrative Music” in: Bonnie Wade (ed.): Text, Tone, and Tune. Parameters of Music in Multicultural Perspective, New Delhi, Bombay, Calcutta: American Institute of Indian Studies, Archives and Research Center for Ethnomusicology, and Oxford and IBH Publishing, pp. 201-233.

• Reid, Lawrence (2002): “The Range and Diversity of Vocalic Systems in Asian Languages” in: José Maceda (ed.): A Search in Asia for a New Theory of Music, University of the Philippines, pp. 249-270.

• Ho, Rerrario Shui-Ching; Sui-Fong Ho (2007): “Musical Scales and Cantonese Level Tones”, Proceedings of the inaugural International Conference on Music Communication Science 5-7 December 2007, Sydney, pp. 64-67.

  http://marcs.uws.edu.au/links/ICoMusic/ArchiveCD/Full_Paper_PDF/Ho_Ho.pdf

• Richards, Paul (1972): “A quantitative analysis of the relationship between language tone and melody in a Hausa song” in: African Language Studies vol. 13, London: SOAS, pp. 137-161.

• Saurman, Mary (1996): “Thai Speech Tones and Melodic Pitches: How They Work Together or Collide” in: EM News vol. 5 no. 4, pp. 1-6.

• Schellenberg, Murray (2008): “Singing in Tone Languages: The Shona Approach” In: Akinloye Ojo, Lioba Moshi (eds.): Selected Proceedings of the 39^th Annual Conference on African Linguistics. Somerville, Mass: Cascadilla Proceedings Project, 137-144.

• Schellenberg, Murray (2011): “Tone Contour Realization in Sung Cantonese” in: Proceedings of the International Congress of the Phonetic Sciences XVII. Hong Kong, pp. 1754-1757.

• Schellenberg, Murray (2012): “Does Language Determine Music in Tone Languages?” in: Ethnomusicology vol. 56 no. 2, pp. 266-278.

• Schneider, Marius (1961): “Tone and Tune in West African Music” in: Ethnomusicology vol. 5 no. 3, pp. 204-215.

• Schöpf, Jürgen; Gerda Lechleitner, Christian Liebl (eds.) (2014): Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften vol. 4, Göttingen: Cuvillier.

• Schwörer-Kohl, Grete (2014): “The mouth organ Qeej as a speech surrogate of the Hmong people in Northern Thailand” in: Gerda Lechleitner, Christian Liebl, Jürgen Schöpf (eds.): Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften. Vol. 4. Göttingen: Cuvillier, pp. 108-117.

• Sebeok, Thomas Albert; Donna Jean Umiker-Sebeok (1976): “Speech Surrogates. Drum and Whistle Systems” 2 vols., Den Haag: Mouton.

• Stock, Jonathan P. (1999): “A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera” in: Journal of Musicological Research vol. 18 no. 3, pp. 183-206.

• Strand, Julie Lynn (2009): “The Sambla Xylophone. Tradition and Identity in Burkina Faso” dissertation, Middletown, Conn.: Wesleyan University.

• Sundberg, Johan; Lennart Nord (ed.) (1991): “Music, language, speech and brain” Proceedings of an international symposium at the Wenner-Gren Center, Stockholm, 5-8 September 1990. Wenner-Gren Center international symposium series, vol. 59, Basingstoke: Macmillan.

• Thomas, Elaine (1978): “A grammatical description of the Engenni language” Dallas: Summer Institute of Linguistics, 60.

• Thomas, Elaine; Jocelyne Clevenger (1978): “Okilomu Epile Akie Anamu. The chief trickster among the animals. Folk Stories in the Engenni Language of the Rivers State” Jos: Inst. of Linguistics.

• Turpin, Myfany (2007): “The poetics of central Australian song” in: Australian Aboriginal Studies, vol. 2, pp.100-115.

• Williamson, Muriel C. (1981): “The Correlation Between Speech-Tones of Text Syllables and Their Musical Setting in a Burmese Classical Song” in: Musica Asiatica vol. 3, pp. 11-28.

• Wong, Patrick C. M.; Randy L. Diehl (ed.) (2002): “How can the lyrics of a song in a tone language be understood?” in: Psychology of Music vol. 30, pp. 202-209.

• Yung, Bell (1983): “Creative Process in Cantonese Opera I: The Role of Linguistic Tones” in: Ethnomusicology vol. 27 no. 1, pp. 29-47.

• Yung, Bell (1983): “Creative Process in Cantonese Opera II: The Process of T'ien Tz'u (Text‐Setting)” in: Ethnomusicology vol. 27 no. 2, pp. 297-318.

• Yung, Bell (1983): “Creative Process in Cantonese Opera III: The Role of Padding Syllables” in: Ethnomusicology vol. 27 no. 3, pp. 439-456.

• Zatorre, Robert J.; Pascal Belin; Virginia B. Penhune (2002): “Structure and function of auditory cortex: music and speech” in: Trends in Cognitive Sciences vol. 6 no. 1, pp. 37-46.

• Zemp, Hugo; Soro Sikaman (2010): “Talking Balafons” in: African Music vol. 8 no. 4, pp. 6-23.

  Linguistics

  
  

• Abramson, Arthur S. (1979): “Lexical tone and sentence prosody in Thai” in: Eli Fischer-Jørgensen, Jørgen Rischel, Nina Thorsen (eds.): Proceedings of The Ninth International Conference of Phonetic Sciences. Copenhagen, pp. 380-387.

• Alves, Mark (1995): “Tonal features and the development of Vietnamese tones” in: Working Papers in Linguistics. Department of Linguistics, University of Hawaii at Manoa, Vol. 27, pp. 1-13.

• Chao, Yuen-Ren (1930): “A system of tone-letters” in: Le Maître Phonétique, vol. 45, pp. 24-27.

• Crystal, David (1997): “The Cambridge Encyclopedia of Language”, Cambridge: Univ. Press

• De Lacy, Paul (2007): “The Cambridge handbook of phonology”, Cambridge: Univ. Press.

• Fromkin, Victoria A. (1978): “Tone. A Linguistic Survey” San Diego: Acad. Press.

• Gårding, Eva; Zhang Jialu, Jan-Olof Svantesson (1983): “A generative model for tone and intonation in standard Chinese based on data from one speaker” in: Working Papers vol. 25, Lund University, Department of Linguistics, pp. 53-65.

• Goldsmith, John A. (ed.) (1995): “The handbook of phonological theory” Cambridge (Mas.): Blackwell handbooks in linguistics no. 1.

• Goldsmith, John A. (2001): “An overview of Autosegmental Phonology” in: Charles W. Kreidler (ed.): Phonology. Critical concepts. vol. 3 Syllables and multi-level analyses. London, New York: Routledge. Chapter 46, pp. 382-425.

• Goldsmith, John A., Jason Riggle, Alan Yu (eds.)(2011): The handbook of phonological theory. 2nd ed. Malden, Mass.: Wiley-Blackwell.

• Wu, Zongji (2000): “From traditional Chinese phonology to modern speech processing. Realization and tone of intonation in standard Chinese” in: Fant, Gunnar (ed.): Festschrift for Professor Wu Zongji's 95th birthday, Beijing: Foreign Language Teaching and Research Press, pp. 1-11. http://ling.cass.cn/yuyin/report/files/2000_1.pdf

• Hall, Tracy Alan (2011): “Phonologie. Eine Einführung” 2nd ed., Berlin: de Gruyter.

• Harrington, Jonathan (2010): “Phonetic analysis of speech corpora” Malden: Wiley-Blackwell.

• Snider, Keith; van der Hulst, Harry; (1992): “Issues in the Representation of Tonal Register” in: Keith L. Snider, Harry van der Hulst (eds.): The Phonology of Tone. Berlin: de Gruyter, pp. 1-27.

• Hyman, Larry M. (1976): “Studies in Bantu tonology”. Dissertation. Los Angeles: University of Southern California.

• Hyman, Larry M. (1992): Register Tones and Tonal Geometry. in: Keith L. Snider, Harry van der Hulst (eds.): The Phonology of Tone. Berlin: de Gruyter, pp. 75-108.

• Hyman, Larry M. (2011): “7 Tone: Is it Different?” in: John Goldsmith, Jason Riggle, Alan Yu (eds): The Handbook of Phonological Theory. Malden, Oxford: Wiley-Blackwell, pp. 197-239.

• Hyman, Larry M. (2011): “The Representation of Tone” in: Marc van Oostendorp, Colin Ewen, Elizabeth Hume, Keren Rice (eds.): The Blackwell companion to phonology. Malden, Mass.: Wiley-Blackwell pp. 108-132.

• Jun, Sun-Ah (ed.) (2005): “Prosodic typology. The phonology of intonation and phrasing” Oxford: Oxford Univ. Press.

• Kreidler, Charles W. (ed.) (2001): “Phonology. Critical concepts” London, New York: Routledge.

• Ladd, Dwight Robert (1992): “In Defense of a Metrical Theory of Intonational Downstep”. In: Keith L. Snider, Harry van der Hulst (eds.): The Phonology of Tone. Berlin, New York: Mouton de Gruyter, pp. 109-132.

• Maddieson, Ian (1984): Patterns of sounds. Cambridge: University Press

• Manfredi, Victor (1992): “Spreading and Downstep. Prosodic Government in Tone Languages”. in: Keith L. Snider, Harry van der Hulst (eds.): The Phonology of Tone. Berlin, New York: Mouton de Gruyter, pp. 133-184.

• Matisoff, James (1989): “Tone, intonation, and sound symbolism in Lahu. Loading the syllable canon” in: Linguistics of the Tibeto Burman Area vol. 12 no. 2, pp. 147-163.

• Odden, David (1995): “Tone: African Languages” in: John A. Goldsmith (ed.): The Handbook of Phonological Theory. Cambridge, Mass.: Blackwell, pp. 444-475.

• Pike, Kenneth L. (1949): “Tone languages. A technique for determining the number and type of pitch contrasts in a language, with studies in tonemic substitution and fusion”. 2. print. Ann Arbor: Univ. of Michigan Press.

• Snider, Keith L. (1999): “The geometry and features of tone” Dallas: Summer Institute of Linguistics.

• Snider, Keith L.; Harry van der Hulst (ed.) (1992): “The Phonology of Tone. The Representation of Tonal Register” Berlin, New York: Mouton de Gruyter pp. 1-27.

• Trubeckoj, Nikolaj Sergeevič (1939): “Grundzüge der Phonologie” Travaux du Cercle Linguistique de Prague vol. 7, Prag.

• van Oostendorp, Marc (ed.) (2011): “The Blackwell companion to phonology” Malden, Mass.: Wiley-Blackwell.

• Weidert, Alfons (1981): “Tonologie. Ergebnisse, Analysen, Vermutungen” Tübingen: Niemeyer.

• Xu, Yi (2004): “Separation of Functional Components of Tone and Intonation from Observed f₀ Patterns” in: Fant, G.; H. Fujisaki, J. Cao, Yi Xu (ed.): From Traditional Phonology to Modern Speech Processing: Festschrift for Professor Wu Zongji's 95th Birthday. Beijing: Foreign Language Teaching and Research Press: pp. 483-505.

• Yip, Moira (1989): “Contour tones” in: Phonology vol. 6 no. 1, pp. 149-174.

• Yip, Moira (1992): “Tonal Register in East Asian Languages” in: Keith L. Snider, Harry van der Hulst (ed.): The Phonology of Tone. The Representation of Tonal Register, Berlin, New York: Mouton de Gruyter, pp. 245-268.

• Yip, Moira (1995): “Tone: Asian Languages” in: John A. Goldsmith (ed.): The Handbook of Phonological Theory. Cambridge, Mass.: Blackwell pp. 476-494.

• Yip, Moira (2002): “Tone” Cambridge: University Press.